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Are you looking for the best love songs to soundtrack you own fairy tale romance? Every good Tinder or OkCupid story needs the appopriate tunes to go with it. Sure, a slew of modern classics (such as just about every ) certainly do an enviable job, but believe it or not, people have been writing romantic paeans since long before the age of dating apps. Make no mistake—we not only surveyed the present day, but dug painstakingly through the archives to uncover the best love songs ever written. You'll find timeless ballads (i.e. Your parents' favorite Al Green hit), the sappiest a turntable ever done spun (thank you, Madonna!), and a selection of the for you to belt out this Friday on your post-breakup bender. In 1963, Brian Wilson was so obsessed with Phil Spector’s orchestral vision for the Ronettes’ “Be My Baby” that he purportedly took to listening to it 100 times a day.
Three years later, Wilson and the Boys would surpass the master with a song that lifted the notion of the sophisticated love song clean into the heavens. The uncertainty of the first line (“I may not always love you”) is a classic pop curveball, which works with the swooping transition from intro to verse. Once that miasmic mix of harpsichords and celestial brass clears, and that opening caveat is laid bare, we’re left with a heartbreakingly tender song of yearning, of devotion and of fidelity. Combining the fatalism of lines like “what good would living do me” with the use of God in the title was risky business back in the mid-’60s.
There was no need to worry. In fact, the song’s universality has turned it into an almost nondenominational and humanist hymn, blessed with an equivocal outlook that can magically give succor to all forms of love. —Oliver Keens. It's the mushy definition of a love song that becomes all the more powerful for it.
“Unchained Melody” has all the corny trappings of a by-the-numbers ballad: the swooning, arpeggiated opening, the crescendo to an epic orchestral finale, lyrics whose blatant emotional manipulation ought to fall right apart under scrutiny. But there's real, undeniable hunger in Bobby Hatfield's luminous and raw vocal, the push and pull of the instrumentation is subtler than expected, and the words reveal layers where true fidelity fights to overcome lingering doubt. The world seems to agree: The Righteous Brothers version of the song remains the most popular and well-loved out of hundreds of recordings from around the globe. —Bryan Kerwin. Al Green’s greatest gift to the world is that he makes love funky.
The lyrics to the Reverend’s landmark 1971 hit, “Let’s Stay Together,” articulate the solemn vows of marriage: “Whether times are good or bad, happy or sad.” But sung by Green, these promises are given wings. Covered multiple times since its release, Green’s gorgeous original was given a new lease on life in ’94, when Quentin Tarantino featured it in Pulp Fiction.
But our favorite boost for the song has to be the snippet—“Oh no you didn’t!”—sung by President Obama at a fund-raising event in 2012, naughty smile and all. —Sophie Harris. “Something” was the first George Harrison-written song to occupy the A-side of a Beatles single (though it did share the accolade, appearing as a double A-side with unifying call “Come Together” in 1969). Capturing the swirling triumph of infatuation, the tune would become the second-most-covered song of the Beatles’ canon (“Yesterday” is the first)—more than 150 artists have tried the dreamy, swooning ode on for size, including James Brown, Elvis Presley, Phish, Isaac Hayes and Frank Sinatra, who famously christened it the “greatest love song ever written.” —Kristen Zwicker.